It is the ultimate principle of substantive minimalism, where extraneous and peripheral elements should be eradicated unless used, essential, or otherwise central to the narrative. Teasing merely for the sake of itself is denied; a serious venture if always pursued, and open honesty with the audience forever relied upon. Chekhov disdained and avoided the superfluous; his short stories and other works were paradigms of linguistic economy, where words were valued and cherished, without room left for an unused element. […]